Tag Archives: performance

Well, Fuck.

10 Nov

 I have succeeded in taking care of myself zero much this week. I’ve only 7 things on my Wonder Wall “Do Me” list, and I’ve only even touched 2. Things like “going to bed earlier” and “getting my walks in” didn’t even *make* the fucking list. Not even, “maybe detox a bit,” after Monday’s post-closing hangover — where I invented almost a mathematical equation of the amount of times you can dehydrate and rehydrate yourself in a given space of one nine-hour work day. (I stopped counting after 8.)
…And that was only on wine…

…Which will tell you how much was probably involved.

You guys, I over extended myself in Every capacity, socially, mentally, lack-of-physically, I’ve had no more than 3 waking hours to myself all week. And I’ve two more things still to do. And I’m going to do them. Because putting anything off at this point is fucking pointless. Damage is already done. 

…So despite every day, walking past my damn living room bar with an almost audible, “Oh, Fuck off,” tonight, I B-lined to it.

I started with the money bar and a sipping shot. Getting wasted might help tonight, but not so much tomorrow. So, I’ll sip on my Buckingham Palace, gold-rimmed shot of Suntory Whisky Toki, and plan my next spoiling. I will taste my way through a night of good stuff and not kill the new elephant-walking neighbor upstairs. 

…I will unload on all of you, then go attempt to read that damn book I keep picking up and can’t focus on. Or maybe I’ll say fuck that, and just lay here waiting for Bud to arrive, listening to the Glenn Miller Pandora channel that I would be getting ready to right now, had the show not wrapped on Sunday.

This is my first week in many, where that wasn’t a thing. Where I wouldn’t be setting my hair right now, and running my lines for the 10,000th time. 

…And in about ten minutes, I’d be in the dressing room, greeting the ladies, popping the music on again, getting into the flow, and trying to pretend I wasn’t nervous as fuck about how very many ways I could (and probably would), screw up tonight. 

…In a few minutes, I’d be laughing despite all that (because: theatre), shoving some awesome Mdm Arcadi baked good in my face, (in lieu of dinner,) sipping on my 6th black coffee for the day, wishing to God it was this whiskey.

 …And despite the fact: it never would be, and despite how terrified I was, I’d still rather be in that room than not in that room.

…Even without the whiskey.

I’m not even well enough to function “generally” and I want back in the the place that freaks me out ten ways to Sunday.

Figures.

Why wouldn’t it be that way?

Why would anything make sense, except my inability to get my damn shit together?

I’m bone-tired. And heart-sad. And super thankful for the team I’m not with tonight, who I would be, if we hadn’t demolished it all to fuck, 5 days ago.

…Also: I need to pick another sipping whiskey.

Except: no, I won’t. The next one is for my Blithe’s.

One Bombay Sapphire, in memory of the yous.

…Love you nerds. Miss yuh like my mental acuity. 

XO and all that,

~D

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Dear My Blithe Spirits

3 Nov

I will have far too much fun participating in our final weekend of shenanigans, and late night post-show “Wakes,” to do this individually, so please accept this blog as my closing card, to the lot of you:

I showed up on your doorstep, as a broken mess, still very much contributing to my ongoing ill-health for the remainder of our rehearsal period. There were many nights and days (or whatever you call 3 am, time, after time, after time) when I just knew there was no mental way for me to pull this show off. I was empty. I was sick. 

…At one point, it was a serious discussion that I should leave.

…And while I was fighting all these many ghosts of shit, haunting me: you were there. Our team. From the highest leadership…who assured me that if I needed to leave, truly, there would be no less affection or support for me…that my  value as a human and their friend was higher than being a commodity, more than ticket sales, or recasting nightmares…to the front-of-house staff, and best damn bartender in town.

…Supported every single second by a beautifully talented SM, who was a calming voice of reason, and constant source of hugs and joy. Her team, which have been so incredibly dialed in at every moment. 

…Our designers and incredible painters, who built us a world of details and our stately home which they successfully destroy at every performance-end. 

…This team.

…And then: the ones on stage with me, who have covered god knows how many line fuck-ups, who are so generous with their smiles and naughtiness…who have pulled sweaty costumes off me in every quick change, and fed me freshly baked yum-goods, and given me so very much play-space on stage, and supported me when I failed, (so phenomenally), time and time again…helping me fool everyone who has seen this show–that there is nothing in the least amiss.

I am endlessly thankful for you all. And super Emo, heading into this final weekend of performances. It was a show I had no business taking on, let alone staying in, for probably everyone’s better interest. But you were (and are) always, always, always there. You never gave up on me. 

…So: I couldn’t. 

…So: I didn’t.

…So: I still haven’t.

“Thank you,” seems so very little in return. What you gave me was why the theatre has always been so essential to so many of us.

We are bigger, stronger, fiercer together. As a team. As artists. And despite my injuries, you brilliant bastards got me to the World Series, so when I was ready, and able: I could play.

I am so incredibly thankful for all of you fantastically talented freaks. And I promise to pay this all forward. Just as soon as I am able.

Thank you,

~D

I’ll Have What She’s Having

1 Nov

You know how sometimes you are so conflicted, or so hungry, or so PMSey that you think you want a big ol’ plate of this thing over here, but when your buddy’s plate comes to the table, you feel like that was what you should have chosen instead…but then they see that look in your eyes and are all, “Split-share?” (…cuz all your friends are equal foodies), and your taste buds and guts go, “Yeeeesss! Best of both worlds!” and everything is all-the-flavors-of-awesome?

…That is what going to a friend’s show is like. 

…Kinda always super wish you were working with them, but sometimes you just had to try for that other thing over there, instead…cuz of the stuff…and you did, and lots of times its good, but if you somehow have a skewed performance schedule, (or can sneak into a rehearsal of a limited run, like I am tonight), it’s like all the salty, sweet, buttery and garlicy goodness, wrapped up in both life-plates.

So, I’ll be art-eating super good tonight, at one of the final rehearsals, for an already sold-out run, of a dear friend, whose passion and empathy knows no bounds.

Damn, I’m so proud of her, and the team she has collected to create this amazing piece of historical theatre!

Let’s eat!

~D

I’m Gonna Read Your Diary

2 Jun

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Cecil’s new theatre company is having a fundraising event with an open mic for the entertainment. Cuz Cecil is smart and knows, “why spend money on that shit when – if given the option – artists will whore themselves out for free.”

… She isn’t being greedy in this…the fundraiser will pay tech, talent and designers on their premiere gig…but this being a fundraiser means if you ain’t got the change, you can donate your art-things.

… All my change being deposited into the London fund, I only have the latter to give. And even that I was gonna decline participation in, only cuz open mics make me artistically hive. I need more distance and like a damn character between me and an audience…this gig is far too much like public speaking, of which I am awkward at, in the supreme.

…But that was before Cecil asked me to do a dramatic read from her 13-year-old-self’s diary.

I have done so before. In fact, thrice to several small gatherings I have shared it’s contents.

Because frankly, it is magnificent.

The first time was on one of our “Drunk Tuesdays,” so named from its original conception, on a Tuesday where we decided to drink too much, read some plays, wander to the corner gas station for Scratch Lotto tickets and candy, and spend the walk back dreaming of the flat we’d buy in London with the winnings.

…We had so much fun doing this on a stupid day of the week where one generally does nothing, and not winning all the things we scratched, that “Drunk Tuesdays” became a thing…generally whenever we needed one, no matter the day of week.

… So it was on one of such nights, that Cecil began to talk about this boy she’d obsessed over at age 13, and this diary she’d kept over a short few month span. Would I like to read it?, she’d asked.

…And so, on what would turn out to be the next “Drunk Tuesday,” Cecil jumped off the couch, squealed that she’d just remembered something, and ran out to her car. There she had been toting what she called, “The Donovan Diaries,” which she’d gotten her mother to dig out of her childhood bedroom and send her.

… Already, it was amazeballs. Built by hand, with outer covers of black sparkle construction paper, hole-punched and loop-tied with ribbons, filled with about a half centimeter of ruled paper, partially filled in with multiple – colored writing, each color claiming it’s own diary entry, complete with a Prologue of who this was for, when they could read it, what they were to do with it after, and hints at occasional super secret codes and their super secret keys to them, somehow within a reason unknown, to be kept within these same sheets.

… And so: we read. In tag-team style. With a dead seriousness, and solemnity of truth that we all wished, at that age, to be taken with.

… And we did this, in between ugly-faced crying laughter from the audience’s side. Because there just was no other way to receive it.

…Because goddamn it, the strategy to getting and holding a “man’s” attention, knowing what to do with it when you have it, trying to deal with not wanting it when it is there, but do when it isn’t, and all the complications which come with this, are even funnier when you haven’t learned enough to laugh at yourself about it yet.

… And so, for reasons of sheer embarrassment, and truthfulness, Cecil has charged me with the task to stand at an open mic, not on a “Drunk Tuesday,” and share her humiliations with earnest solemnity.

… And I will.

… And the people will cry with joy.

… Because 13 or 23, you couldn’t buy a Cecil, and the brain it comes with, for a million dollars.

… But you can try your best, at the tip jar.

~D

Weird Shit Actors Say

18 Dec

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The current theatre I’m working at is one of my home base hubs…and so are the places we go to in the area after rehearsal and performances. We have become known…(because, frankly, how do you miss us)…at these places, not necessarily by name but by vocation. To the bartenders and waitstaff, we are those theatre weirdos, who pop in, take over the place, drink too much, over tip, eat whole meals at 11 pm, and go along our merry way.

…They know the “regulars,” and track us from show to show…some sincerely not giving a shit, but earning their tip by asking after “how it’s going,” some who have actually been inclined to attend, “Holy shit, that part where you walk off and blow your own head in…that’s freakin intense!”…Some just nod at you and bring your usual with no comment, and know enough not to ask if you want another round…it just appears as if by magic.

…Then, occasionally, you get the guy or gal who hasn’t yet worked our table before…and I imagine what must go through their heads when they are indoctrinated…hearing our conversations for the first time. We are only on the surface, “normal people.” Its not like they haven’t served nuts before, but we are a special brand of them.

Because of things like this:

Normal People (Meeting someone new): “Hi, hi — nice to meet you — where you from, what’s your wife’s name…oh, you’ve got kids?”

Theatre People (Meeting someone new): “…But then Dad was an alcoholic mess, so naturally, I did jokes and funny voices to make mom laugh…and people would be like, ‘oh Anne, he’s so funny, I bet he turns out to be a comedian or something…'”

**

Theatre People (Ordering food): “I don’t do meat, or animal byproduct, or gluten, or nuts. So, I’ll have the house salad with no dressing or croutons, or almonds. And a double Vodka on the rocks.”

Normal People (Ordering food): “Steak. Beer.”

**

Theatre People (Talking politics): “…No but it’s a classic case that Freud would wet-dream over. He’s obviously got some serious mother issues to work out, so is taking his total lack of control in that relationship to like the zenith level, by making all women pay by taking away their own basic rights, so he can feel empowered over the fact that she started dating after Daddy left or whatever, and he didn’t like the fact that mommy was gettin it on with Mr. Frick, across the street. ‘How do I stop her? By stopping all of them,’ he thinks…penance for ‘slutiness,’ paid in full…”

Normal People (Talking politics): “Well…I like my shot-gun, so: I’m voting for that guy.”

**

Normal People (Talking about the Holidays): “…And Suzy had that bronchial thing that was going around, so we had to stay home. I did a ham…baked a bit, but..it was a quiet Christmas.”

Theatre People (Talking about the Holidays): “We had a double header on the 23rd, then the 24th, came back for a pick-up rehearsal for the other show on the 26th, then musical work for that special New Years gig, on Wednesday and Thursday. I haven’t actually been home except to sleep in like a week. Also, I think my fish died, but I don’t have time to deal with that, so am just avoiding the living room in general right now…”

**

Normal People (On finances): “So we are working the budget really closely with our accountant, because we’ve decided that maybe we’ll refinance next year, and use that capital to roll back into the kitchen revamp and finishing the basement into a fourth bedroom…”

Theatre People (On finances): “….Yeah, I knew I’d over-draft by Tuesday, so I did the whole, ‘go take out $200 from the versateller before it hits so I only get feed once’ deal…like yuh do. Anyway, this round’s on me.”

**

Theatre People (Regarding job interviews): “And so then he asked me what I was, and I’m all like, ‘what do you mean?’ And he’s like, ‘well I can’t decide if you’re some kinda exotic ethnic thing or just like…part black?’ And I’m like, ‘dude, I’m whatever the part needs me to be. In fact, I can be taller, shorter, blond, even Cajun…if that’s what you want…”

Normal People (Regarding job interviews): “…And then this middle aged white guy walked in. So, that was over.”

**

Normal People (Talking relationships): “I dunno, it’s just so complicated and unnecessarily chaotic. If we love each other, why can’t the other stuff just figure itself out?”

Theatre People (Talking relationships): “No! NO! No! That’s just too simple. I mean, sure, you can play it that way…if you want to, but there’s like 150 layers under that basic set up…so much more ‘complication’ to mine there…I mean, I love you, but am like obsessed with her for some reason…which I mean obviously goes back to that time in the third scene where she slaps me…but my devotion and love for you is different…calmer, like. See I think I idolize you, and deep down I realize I just don’t deserve you, so I go with the gut reaction of the mirrored image of myself: her. The ‘wandering whore,’ so to speak. It’s nothing against you personally.…”

***

Normal People (At the end of a long night): “Whelp, that’s me: done in. Off home to do the husband/wife/mom/dad stuff…maybe night cap with a bath…”

Theatre People (At the end of a long night): “So…the after party is at yours then? I’ll grab a bottle and some bread or something on the way…oh, and hey, can I just crash on your couch or whatever? If I have to wake up to someone else’s early morning sexing in the next room one more time, I swear to God — P.S. I love how you’re single. We should get drunker and fool around. Think about it…”

…And so it goes. Entertainment and intrigue on and off the stage.

…You’re welcome, server “Mary Beth.”

You, are welcome.

~D

A Letter To Friends In The Audience

16 Oct

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You know how I have really high expectations of myself as a performer? And, you know how I am my worst critic and get really pissed off when I feel I have not been able to give the best performance I can for whatever random reason might have just occured?

…And you know how you mostly say, “I couldn’t even tell, what the hell are you even talking about?”

…And we sorta debate/argue a bit back and forth over it? And you roll your eyes at me, and I still feel I’ve failed, and then we all go out for a beer afterwards, under the stipulation we talk about anything at all but what you’ve just seen?

In good conscience, I can’t do that with this show.

…First of all, because it’s delightful and hilarious and populated by totally talented people…and second of all, because it’s a brand spanking new company, and we need all the word-of-mouth we can get.

This, however, doesn’t change the wall of anxiety I am facing every night to do this thing, I don’t have self confidence to be doing. You cannot reason with it, dismiss it, beef it up…I’ve tried…none of that seems to work. And though I am absolutely doing my job out there, to the best of my particular ability in this field, it is not a wheelhouse that any amount of exhausted rehearsals have managed to make me feel, “oh, hell yeah…I’ve got this.”

…In short, I will know most of the people in every audience of this show…because I’ve worked in this town for 15 years now, and have super supportive kick-ass friends. And I guess what it comes down to is:

1) Thanks for coming and being here for all of us, I know you’ll laugh lots and enjoy the hell out of this dork-fest of theatre love.

2) Please, dear God, can you spread the word on the streets to get some butts in the seats.

3) Fuck the beer, after…I’ll need a whiskey. Same table-rules apply.

Signed,

~ Perpetually-Freaked-Out-Susan

A Wish For The Having Of Funness

8 Sep

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This is a formal request I am putting in.

….Because apparently everyone else in the world considers doing a musical as a hella good time, while my anxiety-brain has been a little-lot in Hell for the last three days in prep for both the first read yesterday, and tonight’s first music work.

I want to have a good time. I want to be excited and challenged, in the good and positive, “learn lots and get gooder” way, instead of the “truly gut-wrenching, terrifying, I haven’t slept in x-days,” way. Wish there was a damn switch to make that happen.

….Also, though am touched at the like inherent confidence everyone seems to have in me, I wish just one time when I voice my total abject terror at the moment, people would stop saying, “Pffft, you’ve got this.”

….Because, yuh know what? I really don’t. And saying that is just making me feel worse…belittling the actual real terror I am feeling.

….Cuz there is: ” going outside comfort zones,” and there’s, “facing past memories of the last time this went down,” that are flashing back with only the horrible parts, pretty much constantly.

What I want, is to super-real-time enjoy this super fun role, with these totally fun nerds, in this hilarious show. But my entire being is so fucking destroyed by the very real knowledge that this could completely be a set-up lesson in humility so righteous, that self-humiliation is only a tiny part of the possible after-effect.

…What I’m explaining here is: this isn’t just learning lines and choreography. This is playing a musical fucking instrument. My voice. A thing not played, or trained…it can’t even read the notes of what it’s trying to do, and the last time it had to “hold a part” in anything was ten years ago, as part of a giant chorus. Now I’m supposed to jump up and magically figure out how to tight-harmony as one of four, in frankly a super complicated “not your average 50’s musical” structure.

…I literally cannot think of a single goddamn thing more terrifying to me right now.

…I’d rather spread-eagle, naked, in front of an audience in a show-and-tell gynecological exam, than face even tonight’s first musical rehearsal.

Seriously.

No. Fucking: seriously.

This, is a whole new “overwhelm.” It’s the six-feet- under kind.

….And what I WANT, is for that not to be. What I WANT is to be free to embrace the laughter from last night’s read, and the screw-ups we all made in first pass at the music. I want to know, to TRUST that my team can trust me. I’m very big on that. And I cannot say, with any self-faith at all, that “I’ve got this.”

…So, maybe like just saying it in print, will help a little, in dispelling the puking-bad-horror I am feeling right now.

…Cuz even singing literal songs about just that, ain’t cuttin’ it.

…Type-casting has just never been more ironic than this. Like, ever.

~D

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