Tag Archives: method

14 Costume Changes & Some Acting

29 Aug

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Bit of a clothes horse, me.

…An option of fitting a first dress in before tech was jumped on, so we could focus on one horrifying onslaught before a tidal wave of others come in to cream us this Saturday. And so, a first dress was had. Last night. And it wasn’t particularly brutal on anything except my feet (dear three and four inch heals…you’re assholes. It’s a good thing you’re cute.)

….Anyway…we charged ahead, I broke some things, we managed line-call-free, fit in all my 14 costume changes, and called it a late night for the first time since we began rehearsals…but we DID it, which I think is the important thing to focus on at this point.

…At this point.

The last time I did a two-hander show was “Oleanna”…again: a professor and a student, having at one another for two hours of stage time. Just me: just him. That’s it, folks.

…The amount of focus, LISTENING, line retention, blocking and prop movement is insane. It REQUIRES nothing less than 100% lock-and-load on the other actor…so that no matter what choices/accidents/line-flubs/enlightenments/emotions are flying around through the air between you…you are a one-entity receptor.

…It’s like ballroom dancing, in a two-hour-long competition, where we both take turns taking the lead, changing styles from fox trot to samba to waltzing seamlessly, at any given moment, and attempting to do it all without one single misstep. Your anchor is in the eyes of the other guy…you make the audience phase out into the wallpaper and bookcases of your world, and together you begin on step one…and it never ends or eases up until the curtain goes down.

…And we know this from experience. As even before costumes and props were added, every break has been filled with line running and blocking, since day one. We don’t pop out of focus, we still can laugh, take a slog of water, and a quick slash…but damn if we’re not still running a monologue while in the loo, walking blocking while feeding from a water bottle on set, or futzing with props ad nauseum. Because we have to. And that’s okay. Because we happen to really fucking love it, you know?

…Like really. A lot.

Difficult is good. Frustration can be tempered and recycled into something better next time, thanks to the lessons you’ve learned. And when you click with a character who you know in your guts…who you can access without interruption in mind or manner…it’s a fantastic ride to be on. Even more so when you trust…really TRUST the team behind you, and that guy right there opposite you, on stage, every night.

…Even on the days of frustration and energy-sap…even when I know there’s more we can find in a moment (and we will, next time)…there is nothing lacking in the team work…in the connections we’ve made, in the amount of fight it takes for two people to command the stage alone… lifting words from a page, into something exciting and wistful, amusing and dangerous, hysterical and poignant, witty and humble. It’s an honor, a challenge, a fucking hell of a ride.

…And every night, when it’s over, the realization comes crashing in, on the ride home…as the adrenaline drains from every pore: and complete mental and physical exhaustion smacks us stupid with inevitable result. We are totally…right now…this second…living an actors dream.

Hells. Freakin.’ Yes.

Bring it, tech week.

~D

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