Archive | February, 2017

The New 40?

15 Feb

Dudes. 

…I’m outting my Mom. Today, she turned 60. And it’s really wierd. 

…Not because Mom is 60 necessarily, but that 60 isn’t remotely what it used to be -but our brains just can’t help going there in picture-processing. 

My Gram, at 60, looked not only exactly like a Gram, but also, every bit of 60. It wasn’t a crime then, to be that age, for one thing. And it wasn’t a crime to look it. 

Life had kinda kicked that whole generation in the ass…when you think about it…from being born in the Depression, to two back-to-back wars, raising a shit-ton of children in the Donna Reed years,  through sexual revolutions, civil unrest, a bunch of assassinations, forever chain-smoking cocktail parties, and then watching their kids deal with everything from Vietnam to sex, drugs, and rock and roll. 

…No wonder they looked every second their age (and sometimes, even more.) 

But Mom’s generation…the ones that survived Vietnam and drugs and AIDS and free-love fall-out… they sorta flipped this switch on the aging rules, which will never flip back again. All of a sudden, they were thrown into 80’s fitness kicks and people started divorcing themselves from butter sauces and “cholesterol ” became this whole thing…as did the magnification of youth-creams and serums and face-lifts…which my generation picked up and fueled even more. 

A state of social consciousness on the necessity to never grow older became this “thing.” A mother literally looking young enough to be their own daughter became some wack kind of goal in life…screwing with every time-table and half of the faces in Hollywood. 

(Blinking should never be a kegel exercise…but that’s just my opinion.)

…Mostly, the worrisome thing is that what was hidden under the “health” mantra, seemed to at the same time shame any woman who looked like she belonged or could claim her current decade on earth, any time at all after 20.

…Which super sucks. Not only for the woman in question, but the generations who follow her…thinking that these are (and must be)  the rules. Which gets into this whole political bent, I’m not even gonna get into right now. 

…But what I guess I’m saying is that:

My Mom turned 60 today. And she is a survivor of a lot of shit and a succeeder through even more, and I think that instead of hiding that fact, and this day– instead of masking or down-playing it…instead of pretending it’s less time, with less work, or less reason to shout that shit from the damn rooftops–one ought to embrace the flying fuck out of it! 

So: Happy Six Decades of planet-life, and the winning of every single day that got you here! Be proud of it,  Mama! 

Cuz, sure am! 

Love, 

~Your Kid

While We’re Cheating, Know: I Miss You

8 Feb

Cecil and The Theatre Husband, are rehearsing “Gypsy, ” just down the street. They open two weeks before I do (45 minutes, just South.) 

…Together: they are teamed up as Louise and Herbie…in the strange only-theatre-way that one can, directly after playing man and wife, (with me, as their  oversexed –or under, depending on how you look at it– neighbor),  in “The Underpants. ”

It kills me, that I’m not there, partaking of their awesomeness and swimming in the absolute ease and delight that it is to work with them.

…But I’m also kind of super exhausted from our first first act work/run-thru, on my only third day of blocking into “Bountiful,” with like an 80% new-people-to-me team. 

…And: we kick total ass.

For custody battles, we’re splitting other former loves-of-the-past. I get my “Arcadian” arch nemisis, and fellow-actor-turned-Director…they get my “Black Coffee,” Ingenu. 

…It’s like an acting key-party of people swapping, and we’re all getting really good sex, but it’s still kinda like: “…But, I like how you just know to do that one thing. ” and,  “I’m jealous of this,” and,  “I sincerely cannot wait for you all to kick ass but: I’m a little pissed I can’t be part of it too.”

…So it goes…with greedy, creative, bastards, like us.

It’s not about “greener pastures.” It’s about “having any fun at all without me.” 

…And it’s also the pride in one another. And the fact that our shows are staggered so we will all get the chance (ultimately) to bask in the creative, ridiculously talented glow of one another.*

(*We’re super humble, too…) 

 …But meanwhile: it makes, “How was rehearsal tonight? ” a kind of super-loaded question. 

…The kind where you’re like, “Good sex. Different. Learned a lot. Miss that ‘thing’ you do. ”

…And the other guy goes:

 “Yeah. Me too. ”

~D

Win-Losses & Trannies

4 Feb

I am pacing every room I inhabit with a bright yellow script -highlighted all to hell- as my companion. 

The script is fast becoming mutilated. They always do.

…I fuck up a line, cuz I forget which tense she’s in now, or which version of name-dropping she’s on, or where the hell that one line even comes from -which is why I keep forgetting it. So: I let a string of expletives burst out from self-frustration, and start again. 

…I’ve been doing this for hours, every day. Since Monday. 

…And I am very, very happy. 

This is the kind of thing that makes theatre people look like freaks. I know that. As much as I know that fighting with that yellow script over words, is an awesomely frustrating and gratifying kind of brain-foreplay right now. And my escape. 

I used to hate this part: getting off-book. I’ve decided that I don’t now…and maybe never really did. I wanted the words right away so I could get to work. Only, that was part of the work. The agonizing over every word choice and its place,  just as much as the playwright once did…this is where the relationship work starts

…Why can’t she stick to a goddamn topic even within any three sentences in any one monologue?!  She’s like a bee,  flitting from flower to flower without any structure whatsoever. And then all of a sudden: she’ll bounce back to that one flower over there again, or that one over there, with no transition of thought, and no complete communication on any story she starts, at any time. 

…My God, she is frustrating to track. 

…And that’s gotta be exhausting as hell to live like,  you would think. Always amped up about something, always chattering away about another, always splitting focus as many ways as possible, so she ultimately doesn’t say much of anything, until all at once: she explodes for what seems like a totally superficial reason. 

…Trying to track and learn her words, I feel more empathy for her fellow characters than herself. 

…Sitting down to book-work of WHY she is like this –in between line sessions — I’ve become her insider-champion. 

…In between: I’ve got a lot of damn work to do. Which is fucking amazingly lucky. And so this weekend, I will continue to pace and recite and yell at myself and her and Horton Foote, as the bastards we all are for putting me in this situation. 

…But in all the good ways. 

…Which is the only solace I’ve got at the moment with a fucked-up car transmission and no money to pay for it. 

I work ten minutes from home. I can borrow a car for rehearsal commutes. Mine hasn’t totally blown up. As yet. But it will. There’s nothing I can do about that. Which helps me mentally: not at all. 

…My brain this past week has been pulled from here to there, with worries,  frustrations, anger, hyperventilations and total fears …absolutely just as erratically as Jessie Mae in this script has. 

So: from where I sit now, here’s two things I know–

1. If I keep myself busy enough to not think about it as much as I can, maybe I can delay the inevitable from sucking the absolute life out of me, in the mean time. 

2. Horton Foote might be a fucking genius. 

~D

%d bloggers like this: